{"id":1072,"date":"2024-03-21T20:00:11","date_gmt":"2024-03-21T20:00:11","guid":{"rendered":"http:\/\/filmacademy.fr\/?p=1072"},"modified":"2024-07-30T21:33:29","modified_gmt":"2024-07-30T21:33:29","slug":"tradition-and-modernity-in-indian-cinema-by-santhi-jayasekera","status":"publish","type":"post","link":"http:\/\/filmacademy.fr\/?p=1072","title":{"rendered":"TRADITION AND MODERNITY IN INDIAN CINEMA \u2013 BY SANTHI JAYASEKERA"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1073\" src=\"http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/Shanti-Photo45-714x1024-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" srcset=\"http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/Shanti-Photo45-714x1024-1-209x300.jpg 209w, http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/Shanti-Photo45-714x1024-1.jpg 714w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><\/p>\n<p>IUHAC Oxford Press\u201d, Paris, France, has published a monograph of the founder and permanent head of the International University of Fundamental Learning, President of IUHAC, Inter-University Higher Academic Council, Paris academician, full professor Jayasekera Santhi.<\/p>\n<p>In the sphere of scientific interests of the author besides purely scientific \u2013 includes a significant layer of cultural and humanitarian issues. A graduate of S. A. Gerasimov VGIK, Professor Santhi Jayasekera devotes much time to the study and systematisation of the history of world cinema, in particular the history of Indian national cinema.<\/p>\n<p>The monograph \u201cTraditions and Modernity in Indian Cinema\u201d (the last quarter of the twentieth century \u2013 present, Pages 365), published at the end of the current year (2023), presents a broad panorama of both the history of Indian cinema and the author\u2019s view of its current state and development trends.<\/p>\n<p>The reader will undoubtedly be interested in the author\u2019s approach to Indian cinema as a special subject reproduced in the world cinema art, created in India and predominantly by Indian film masters. Both phenomena and concepts are constantly interacting with each other and yet they are not identical.<\/p>\n<p>Professor Mahatma Santhi Jayasekera\u2019s monograph is devoted to the main stages of the formation and development of Indian cinema.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1075\" src=\"http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/shan-book1-213x300.jpeg\" alt=\"\" width=\"213\" height=\"300\" srcset=\"http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/shan-book1-213x300.jpeg 213w, http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/shan-book1-727x1024.jpeg 727w, http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/shan-book1-768x1082.jpeg 768w, http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/shan-book1-1024x1443.jpeg 1024w, http:\/\/filmacademy.fr\/wp-content\/uploads\/2024\/03\/shan-book1.jpeg 1069w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>IUHAC Oxford Press\u201d, Paris, France, has published a monograph of the founder and permanent head&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1078,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,5],"tags":[],"class_list":["post-1072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","category-news"],"_links":{"self":[{"href":"http:\/\/filmacademy.fr\/index.php?rest_route=\/wp\/v2\/posts\/1072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/filmacademy.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/filmacademy.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/filmacademy.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/filmacademy.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1072"}],"version-history":[{"count":4,"href":"http:\/\/filmacademy.fr\/index.php?rest_route=\/wp\/v2\/posts\/1072\/revisions"}],"predecessor-version":[{"id":1082,"href":"http:\/\/filmacademy.fr\/index.php?rest_route=\/wp\/v2\/posts\/1072\/revisions\/1082"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/filmacademy.fr\/index.php?rest_route=\/wp\/v2\/media\/1078"}],"wp:attachment":[{"href":"http:\/\/filmacademy.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/filmacademy.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1072"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/filmacademy.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}